This work is a fascinating attempt to probe deep into the socio-cultural ramifications of the visual artefacts of ancient India, which has a rich heritage of iconographic treasures of varying sizes and styles. The art objects selected for analysis are mainly from the Mathura region of the Kushan era and belong to a period between 50–60 and 300 of the Common Era. This period is perceived as that of ‘multicultural environment’ enriched with different streams of tradition. Ac...
