An attempt to present another critical study about the fiction of Witold Gombrowicz (1904–1969) and Samuel Beckett (1906–1989) virtually amounts to Benedykt Chmielowski’s description of a horse in one of the first Polish encyclopaedias: what a horse is like, is for everyone to see. It therefore seems reasonable to lament, “Oh no! Another book on Gombrowicz/Beckett?! Not again!” However, if such a negative attitude might make sense in a project dedicated solely to Gombrowicz ...
