Seventeenth century Russia, New Jerusalem Monastery. The recently deposed Patriarch Nikon, whose reforms lead to a schism in the Orthodox church, employs a French dramatist to stage the New Testament and hasten the Second Coming of Christ. Jacques de Sertan’s troupe consists of untrained and illiterate peasants. The actors are divided into roles, whole families play different social or ethnic groups that lived in Jerusalem around the time of Christ. No one, however, is allowe...
